The first hint I can recognize of something like character analysis. The subject is the central character of the novel, already deceased, bizarrely so, at the time of all its action: James Incandenza, AKA Himself and The Mad Stork, scientist, engineer, filmmaker and founder of the Enfield Tennis Academy, the scene of much of the action. The analyst, Joelle van D., possibly recovering crack addict and formerly Prettiest Girl Of All Time. She might have known from the Work. The man’s Work was amateurish, she’d seen, when Orin had had his brother— the unretarded one— lend them some of The Mad Stork’s Read-Only copies. Was amateurish the right word? More like the work of a brilliant optician and technician who was an amateur at any kind of real communication. Technically gorgeous, the Work, with lighting and angles planned out to the frame. But oddly hollow, empty, no sense of dramatic towardness— no narrative movement toward a real story; no emotional movement toward an audience. Like ...